Hugh Hamshaw Thomas
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Hugh Hamshaw Thomas makes large digital photographs that present as objects pre-dating the birth of photography. He inverts the seemingly empirical gaze of the camera to question ideas of memory, nostalgia and loss that are entwined in our readings and construction of the natural world via the idealisation and representation of landscape in art.
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Hugh Hamshaw Thomas makes large digital photographs that present as objects pre-dating the birth of photography. He inverts the seemingly empirical gaze of the camera to question ideas of memory, nostalgia and loss that are entwined in our readings and construction of the natural world via the idealisation and representation of landscape in art.
Hugh Hamshaw Thomas makes large digital photographs that present as objects pre-dating the birth of photography. He inverts the seemingly empirical gaze of the camera to question ideas of memory, nostalgia and loss that are entwined in our readings and construction of the natural world via the idealisation and representation of landscape in art.
