Liz Wilson
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Working across the boundaries of print, moving image, sound and sculpture, Liz Wilson's practice draws connections between time, technology and motion. Using site visits as a catalyst to research, write and produce works, she is fascinated by the human-machine relationship of both ‘conductor’ and ‘orchestra’ and how these performative roles manifest themselves within both our natural and fabricated environments.
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Working across the boundaries of print, moving image, sound and sculpture, Liz Wilson's practice draws connections between time, technology and motion. Using site visits as a catalyst to research, write and produce works, she is fascinated by the human-machine relationship of both ‘conductor’ and ‘orchestra’ and how these performative roles manifest themselves within both our natural and fabricated environments.
Working across the boundaries of print, moving image, sound and sculpture, Liz Wilson's practice draws connections between time, technology and motion. Using site visits as a catalyst to research, write and produce works, she is fascinated by the human-machine relationship of both ‘conductor’ and ‘orchestra’ and how these performative roles manifest themselves within both our natural and fabricated environments.
