Evangeline Morris
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Evangeline Morris is a visual artist who utilises the languages of print and drawing to explore a contemporary relationship with landscape. Interested in the changing nature of human interaction with land, Evangeline builds up a body of site specific research through walking, drawing, and writing, which she will use print and its malleable nature to develop.
Concerned with how this research builds a unique understanding of place, inclusive of the way physical journeys become extrapolated in memory by connections to personal histories, her process of dialogue between research and visual reflection records within her prints a developing exchange with place, analogous to processes of time and memory.
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Evangeline Morris is a visual artist who utilises the languages of print and drawing to explore a contemporary relationship with landscape. Interested in the changing nature of human interaction with land, Evangeline builds up a body of site specific research through walking, drawing, and writing, which she will use print and its malleable nature to develop.
Concerned with how this research builds a unique understanding of place, inclusive of the way physical journeys become extrapolated in memory by connections to personal histories, her process of dialogue between research and visual reflection records within her prints a developing exchange with place, analogous to processes of time and memory.
Evangeline Morris is a visual artist who utilises the languages of print and drawing to explore a contemporary relationship with landscape. Interested in the changing nature of human interaction with land, Evangeline builds up a body of site specific research through walking, drawing, and writing, which she will use print and its malleable nature to develop.
Concerned with how this research builds a unique understanding of place, inclusive of the way physical journeys become extrapolated in memory by connections to personal histories, her process of dialogue between research and visual reflection records within her prints a developing exchange with place, analogous to processes of time and memory.
