Liza Kelly
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Liza Kelly’s work explores the world around her through a mix of observation and imagination.
Daily experiences and objects are starting points which develop through remembered and imagined details and scenarios. Images emerge with strange scale, playful perspectives and colour, and sometimes narratives drawn from imagination. The artist uses many approaches in her work: figuration, interior studies, still life, landscape and references from art history.
Liza’s recent series of prints, The Language of Flowers, is inspired by flowers, both growing in the artist’s local environment and cut flowers, gifted or received to mark moments of joy, sadness, and remembrance. The artist has worked primarily with two printing techniques: multi-layered drawn monotypes and intaglio collagraph (Tetrapak) prints. Liza enjoys the experimental nature of these printing methods as they add an unexpectedness to the work, throwing up interesting textures and marks during the printmaking process.
Liza graduated in 1996 from the National College of Art & Design, Dublin, with a BA in Fine Art Printmaking. During 2022 she completed the Online Drawing Development Year at the Royal Drawing School, London. She also holds an MA in Professional Design Practice from TU Dublin.
Liza has exhibited extensively since 1996, most recently with Blue Shop Galleries (2024), Woolwich Contemporary Print Fair (2023) and the Royal Ulster Academy Annual Exhibition (2023). Her work is held in private collections in Europe, the USA and China.
Daily experiences and objects are starting points which develop through remembered and imagined details and scenarios. Images emerge with strange scale, playful perspectives and colour, and sometimes narratives drawn from imagination. The artist uses many approaches in her work: figuration, interior studies, still life, landscape and references from art history.
Liza’s recent series of prints, The Language of Flowers, is inspired by flowers, both growing in the artist’s local environment and cut flowers, gifted or received to mark moments of joy, sadness, and remembrance. The artist has worked primarily with two printing techniques: multi-layered drawn monotypes and intaglio collagraph (Tetrapak) prints. Liza enjoys the experimental nature of these printing methods as they add an unexpectedness to the work, throwing up interesting textures and marks during the printmaking process.
Liza graduated in 1996 from the National College of Art & Design, Dublin, with a BA in Fine Art Printmaking. During 2022 she completed the Online Drawing Development Year at the Royal Drawing School, London. She also holds an MA in Professional Design Practice from TU Dublin.
Liza has exhibited extensively since 1996, most recently with Blue Shop Galleries (2024), Woolwich Contemporary Print Fair (2023) and the Royal Ulster Academy Annual Exhibition (2023). Her work is held in private collections in Europe, the USA and China.
Liza Kelly’s work explores the world around her through a mix of observation and imagination.
Daily experiences and objects are starting points which develop through remembered and imagined details and scenarios. Images emerge with strange scale, playful perspectives and colour, and sometimes narratives drawn from imagination. The artist uses many approaches in her work: figuration, interior studies, still life, landscape and references from art history.
Liza’s recent series of prints, The Language of Flowers, is inspired by flowers, both growing in the artist’s local environment and cut flowers, gifted or received to mark moments of joy, sadness, and remembrance. The artist has worked primarily with two printing techniques: multi-layered drawn monotypes and intaglio collagraph (Tetrapak) prints. Liza enjoys the experimental nature of these printing methods as they add an unexpectedness to the work, throwing up interesting textures and marks during the printmaking process.
Liza graduated in 1996 from the National College of Art & Design, Dublin, with a BA in Fine Art Printmaking. During 2022 she completed the Online Drawing Development Year at the Royal Drawing School, London. She also holds an MA in Professional Design Practice from TU Dublin.
Liza has exhibited extensively since 1996, most recently with Blue Shop Galleries (2024), Woolwich Contemporary Print Fair (2023) and the Royal Ulster Academy Annual Exhibition (2023). Her work is held in private collections in Europe, the USA and China.
Daily experiences and objects are starting points which develop through remembered and imagined details and scenarios. Images emerge with strange scale, playful perspectives and colour, and sometimes narratives drawn from imagination. The artist uses many approaches in her work: figuration, interior studies, still life, landscape and references from art history.
Liza’s recent series of prints, The Language of Flowers, is inspired by flowers, both growing in the artist’s local environment and cut flowers, gifted or received to mark moments of joy, sadness, and remembrance. The artist has worked primarily with two printing techniques: multi-layered drawn monotypes and intaglio collagraph (Tetrapak) prints. Liza enjoys the experimental nature of these printing methods as they add an unexpectedness to the work, throwing up interesting textures and marks during the printmaking process.
Liza graduated in 1996 from the National College of Art & Design, Dublin, with a BA in Fine Art Printmaking. During 2022 she completed the Online Drawing Development Year at the Royal Drawing School, London. She also holds an MA in Professional Design Practice from TU Dublin.
Liza has exhibited extensively since 1996, most recently with Blue Shop Galleries (2024), Woolwich Contemporary Print Fair (2023) and the Royal Ulster Academy Annual Exhibition (2023). Her work is held in private collections in Europe, the USA and China.
Liza Kelly’s work explores the world around her through a mix of observation and imagination.
Daily experiences and objects are starting points which develop through remembered and imagined details and scenarios. Images emerge with strange scale, playful perspectives and colour, and sometimes narratives drawn from imagination. The artist uses many approaches in her work: figuration, interior studies, still life, landscape and references from art history.
Liza’s recent series of prints, The Language of Flowers, is inspired by flowers, both growing in the artist’s local environment and cut flowers, gifted or received to mark moments of joy, sadness, and remembrance. The artist has worked primarily with two printing techniques: multi-layered drawn monotypes and intaglio collagraph (Tetrapak) prints. Liza enjoys the experimental nature of these printing methods as they add an unexpectedness to the work, throwing up interesting textures and marks during the printmaking process.
Liza graduated in 1996 from the National College of Art & Design, Dublin, with a BA in Fine Art Printmaking. During 2022 she completed the Online Drawing Development Year at the Royal Drawing School, London. She also holds an MA in Professional Design Practice from TU Dublin.
Liza has exhibited extensively since 1996, most recently with Blue Shop Galleries (2024), Woolwich Contemporary Print Fair (2023) and the Royal Ulster Academy Annual Exhibition (2023). Her work is held in private collections in Europe, the USA and China.
Daily experiences and objects are starting points which develop through remembered and imagined details and scenarios. Images emerge with strange scale, playful perspectives and colour, and sometimes narratives drawn from imagination. The artist uses many approaches in her work: figuration, interior studies, still life, landscape and references from art history.
Liza’s recent series of prints, The Language of Flowers, is inspired by flowers, both growing in the artist’s local environment and cut flowers, gifted or received to mark moments of joy, sadness, and remembrance. The artist has worked primarily with two printing techniques: multi-layered drawn monotypes and intaglio collagraph (Tetrapak) prints. Liza enjoys the experimental nature of these printing methods as they add an unexpectedness to the work, throwing up interesting textures and marks during the printmaking process.
Liza graduated in 1996 from the National College of Art & Design, Dublin, with a BA in Fine Art Printmaking. During 2022 she completed the Online Drawing Development Year at the Royal Drawing School, London. She also holds an MA in Professional Design Practice from TU Dublin.
Liza has exhibited extensively since 1996, most recently with Blue Shop Galleries (2024), Woolwich Contemporary Print Fair (2023) and the Royal Ulster Academy Annual Exhibition (2023). Her work is held in private collections in Europe, the USA and China.
