Liuyi Huang
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Liuyi Huang is an artist who mainly works in etching printing. Her current work explores themes of social separation and group divides, particularly those of abandonment and isolation.
Huang’s observations of urban life inspire her artworks, revealing underlying situations. She is interested in how small collectives are formed and may conflict with each other in urban contexts, such as cultural divisions in working environments.
In her series of works 'Crowds, Us,' she employs materials and geometric shapes to situate figures and delve into her narratives. For instance, she utilizes existing boundaries, such as the imprints left by the edges of the metal plate during the printing process, to create a natural frame that separates figures. Through the integration of paper, materials, and imagery on one layer, Huang explores the concept of social divisions and boundaries, while also highlighting their latent separateness.
Huang’s observations of urban life inspire her artworks, revealing underlying situations. She is interested in how small collectives are formed and may conflict with each other in urban contexts, such as cultural divisions in working environments.
In her series of works 'Crowds, Us,' she employs materials and geometric shapes to situate figures and delve into her narratives. For instance, she utilizes existing boundaries, such as the imprints left by the edges of the metal plate during the printing process, to create a natural frame that separates figures. Through the integration of paper, materials, and imagery on one layer, Huang explores the concept of social divisions and boundaries, while also highlighting their latent separateness.
Liuyi Huang is an artist who mainly works in etching printing. Her current work explores themes of social separation and group divides, particularly those of abandonment and isolation.
Huang’s observations of urban life inspire her artworks, revealing underlying situations. She is interested in how small collectives are formed and may conflict with each other in urban contexts, such as cultural divisions in working environments.
In her series of works 'Crowds, Us,' she employs materials and geometric shapes to situate figures and delve into her narratives. For instance, she utilizes existing boundaries, such as the imprints left by the edges of the metal plate during the printing process, to create a natural frame that separates figures. Through the integration of paper, materials, and imagery on one layer, Huang explores the concept of social divisions and boundaries, while also highlighting their latent separateness.
Huang’s observations of urban life inspire her artworks, revealing underlying situations. She is interested in how small collectives are formed and may conflict with each other in urban contexts, such as cultural divisions in working environments.
In her series of works 'Crowds, Us,' she employs materials and geometric shapes to situate figures and delve into her narratives. For instance, she utilizes existing boundaries, such as the imprints left by the edges of the metal plate during the printing process, to create a natural frame that separates figures. Through the integration of paper, materials, and imagery on one layer, Huang explores the concept of social divisions and boundaries, while also highlighting their latent separateness.
Liuyi Huang is an artist who mainly works in etching printing. Her current work explores themes of social separation and group divides, particularly those of abandonment and isolation.
Huang’s observations of urban life inspire her artworks, revealing underlying situations. She is interested in how small collectives are formed and may conflict with each other in urban contexts, such as cultural divisions in working environments.
In her series of works 'Crowds, Us,' she employs materials and geometric shapes to situate figures and delve into her narratives. For instance, she utilizes existing boundaries, such as the imprints left by the edges of the metal plate during the printing process, to create a natural frame that separates figures. Through the integration of paper, materials, and imagery on one layer, Huang explores the concept of social divisions and boundaries, while also highlighting their latent separateness.
Huang’s observations of urban life inspire her artworks, revealing underlying situations. She is interested in how small collectives are formed and may conflict with each other in urban contexts, such as cultural divisions in working environments.
In her series of works 'Crowds, Us,' she employs materials and geometric shapes to situate figures and delve into her narratives. For instance, she utilizes existing boundaries, such as the imprints left by the edges of the metal plate during the printing process, to create a natural frame that separates figures. Through the integration of paper, materials, and imagery on one layer, Huang explores the concept of social divisions and boundaries, while also highlighting their latent separateness.
