Karen Daye-Hutchinson ARE ARUA
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Karen Daye-Hutchinson’s imagery reflects her interest in habitat, architecture and Literature.
Using line and colour as a language to explore the perimeters of printmaking with symbolism as an allegory. She deconstruct situations, fairy tales, historical imagery and poetry that are part of our childhood and adult culture. Line, text and texture often give the viewer additional information to view or provoke the underlying subject or concept. Stories told that are either autobiographical, historical or a layering of both.
Using line and colour as a language to explore the perimeters of printmaking with symbolism as an allegory. She deconstruct situations, fairy tales, historical imagery and poetry that are part of our childhood and adult culture. Line, text and texture often give the viewer additional information to view or provoke the underlying subject or concept. Stories told that are either autobiographical, historical or a layering of both.
Karen Daye-Hutchinson’s imagery reflects her interest in habitat, architecture and Literature.
Using line and colour as a language to explore the perimeters of printmaking with symbolism as an allegory. She deconstruct situations, fairy tales, historical imagery and poetry that are part of our childhood and adult culture. Line, text and texture often give the viewer additional information to view or provoke the underlying subject or concept. Stories told that are either autobiographical, historical or a layering of both.
Using line and colour as a language to explore the perimeters of printmaking with symbolism as an allegory. She deconstruct situations, fairy tales, historical imagery and poetry that are part of our childhood and adult culture. Line, text and texture often give the viewer additional information to view or provoke the underlying subject or concept. Stories told that are either autobiographical, historical or a layering of both.
Karen Daye-Hutchinson’s imagery reflects her interest in habitat, architecture and Literature.
Using line and colour as a language to explore the perimeters of printmaking with symbolism as an allegory. She deconstruct situations, fairy tales, historical imagery and poetry that are part of our childhood and adult culture. Line, text and texture often give the viewer additional information to view or provoke the underlying subject or concept. Stories told that are either autobiographical, historical or a layering of both.
Using line and colour as a language to explore the perimeters of printmaking with symbolism as an allegory. She deconstruct situations, fairy tales, historical imagery and poetry that are part of our childhood and adult culture. Line, text and texture often give the viewer additional information to view or provoke the underlying subject or concept. Stories told that are either autobiographical, historical or a layering of both.
