Jemma Gunning

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Jemma’s practice delves into post-industrial landscapes, documenting our vanishing heritage. Though her work might seem dark and somber at first glance, it unveils the hidden beauty in decay upon closer inspection. Her pieces capture the shifting light and atmosphere of forgotten and transforming places.

Drawing is the foundation of her practice, guiding her printmaking techniques. Her love for intaglio and lithography, and their ties to our environmental relationship, allow her prints to serve as a window into our shared history.

Jemma is a member of the Royal Society of Painter-Printmakers (RE) and the Royal West of England Academy (RWA). Her work is held in public and private collections, including the Victoria and Albert Museum (V&A) and the Ashmolean Museum. An award-winning printmaker, Jemma has been selected for various grants and fellowships to support her practice and project work.
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Jemma’s practice delves into post-industrial landscapes, documenting our vanishing heritage. Though her work might seem dark and somber at first glance, it unveils the hidden beauty in decay upon closer inspection. Her pieces capture the shifting light and atmosphere of forgotten and transforming places.

Drawing is the foundation of her practice, guiding her printmaking techniques. Her love for intaglio and lithography, and their ties to our environmental relationship, allow her prints to serve as a window into our shared history.

Jemma is a member of the Royal Society of Painter-Printmakers (RE) and the Royal West of England Academy (RWA). Her work is held in public and private collections, including the Victoria and Albert Museum (V&A) and the Ashmolean Museum. An award-winning printmaker, Jemma has been selected for various grants and fellowships to support her practice and project work.
Jemma’s practice delves into post-industrial landscapes, documenting our vanishing heritage. Though her work might seem dark and somber at first glance, it unveils the hidden beauty in decay upon closer inspection. Her pieces capture the shifting light and atmosphere of forgotten and transforming places.

Drawing is the foundation of her practice, guiding her printmaking techniques. Her love for intaglio and lithography, and their ties to our environmental relationship, allow her prints to serve as a window into our shared history.

Jemma is a member of the Royal Society of Painter-Printmakers (RE) and the Royal West of England Academy (RWA). Her work is held in public and private collections, including the Victoria and Albert Museum (V&A) and the Ashmolean Museum. An award-winning printmaker, Jemma has been selected for various grants and fellowships to support her practice and project work.
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