Euan Stewart
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Euan specialises in drawing and relief printmaking.
A graduate of Edinburgh College of Art and the University of Brighton, Euan has exhibited widely, from the RA Summer Exhibition to the Awagami Print Exhibition in Japan. His work is held in collections at the V&A, Fabriano Museum and the Wellcome Collection.
Euan’s studies in anatomy and natural history explore identity by playing with medium, scale and sequence to produce results that are both traditional or experimental in execution.
The abstracted figure is a symbol of identity both unique to the individual and common to all, constantly moving between separation and communion. Inspired by the weaving process, the industrial rhythm of line and negative space create a sense of movement between these states and allow the viewer to project their own sense of self.
The shark is representative of an evolutionary ideal, patiently developing over aeons. It questions our supposed dominance over the natural world, which may provoke nature to reassert itself, to awaken at any time to pass judgement on the Anthropocene.
The dialogue between these two sides of his work examines the conditions of what it means to be part of humanity in the early years of the 21st century.
A graduate of Edinburgh College of Art and the University of Brighton, Euan has exhibited widely, from the RA Summer Exhibition to the Awagami Print Exhibition in Japan. His work is held in collections at the V&A, Fabriano Museum and the Wellcome Collection.
Euan’s studies in anatomy and natural history explore identity by playing with medium, scale and sequence to produce results that are both traditional or experimental in execution.
The abstracted figure is a symbol of identity both unique to the individual and common to all, constantly moving between separation and communion. Inspired by the weaving process, the industrial rhythm of line and negative space create a sense of movement between these states and allow the viewer to project their own sense of self.
The shark is representative of an evolutionary ideal, patiently developing over aeons. It questions our supposed dominance over the natural world, which may provoke nature to reassert itself, to awaken at any time to pass judgement on the Anthropocene.
The dialogue between these two sides of his work examines the conditions of what it means to be part of humanity in the early years of the 21st century.
Euan specialises in drawing and relief printmaking.
A graduate of Edinburgh College of Art and the University of Brighton, Euan has exhibited widely, from the RA Summer Exhibition to the Awagami Print Exhibition in Japan. His work is held in collections at the V&A, Fabriano Museum and the Wellcome Collection.
Euan’s studies in anatomy and natural history explore identity by playing with medium, scale and sequence to produce results that are both traditional or experimental in execution.
The abstracted figure is a symbol of identity both unique to the individual and common to all, constantly moving between separation and communion. Inspired by the weaving process, the industrial rhythm of line and negative space create a sense of movement between these states and allow the viewer to project their own sense of self.
The shark is representative of an evolutionary ideal, patiently developing over aeons. It questions our supposed dominance over the natural world, which may provoke nature to reassert itself, to awaken at any time to pass judgement on the Anthropocene.
The dialogue between these two sides of his work examines the conditions of what it means to be part of humanity in the early years of the 21st century.
A graduate of Edinburgh College of Art and the University of Brighton, Euan has exhibited widely, from the RA Summer Exhibition to the Awagami Print Exhibition in Japan. His work is held in collections at the V&A, Fabriano Museum and the Wellcome Collection.
Euan’s studies in anatomy and natural history explore identity by playing with medium, scale and sequence to produce results that are both traditional or experimental in execution.
The abstracted figure is a symbol of identity both unique to the individual and common to all, constantly moving between separation and communion. Inspired by the weaving process, the industrial rhythm of line and negative space create a sense of movement between these states and allow the viewer to project their own sense of self.
The shark is representative of an evolutionary ideal, patiently developing over aeons. It questions our supposed dominance over the natural world, which may provoke nature to reassert itself, to awaken at any time to pass judgement on the Anthropocene.
The dialogue between these two sides of his work examines the conditions of what it means to be part of humanity in the early years of the 21st century.
Euan specialises in drawing and relief printmaking.
A graduate of Edinburgh College of Art and the University of Brighton, Euan has exhibited widely, from the RA Summer Exhibition to the Awagami Print Exhibition in Japan. His work is held in collections at the V&A, Fabriano Museum and the Wellcome Collection.
Euan’s studies in anatomy and natural history explore identity by playing with medium, scale and sequence to produce results that are both traditional or experimental in execution.
The abstracted figure is a symbol of identity both unique to the individual and common to all, constantly moving between separation and communion. Inspired by the weaving process, the industrial rhythm of line and negative space create a sense of movement between these states and allow the viewer to project their own sense of self.
The shark is representative of an evolutionary ideal, patiently developing over aeons. It questions our supposed dominance over the natural world, which may provoke nature to reassert itself, to awaken at any time to pass judgement on the Anthropocene.
The dialogue between these two sides of his work examines the conditions of what it means to be part of humanity in the early years of the 21st century.
A graduate of Edinburgh College of Art and the University of Brighton, Euan has exhibited widely, from the RA Summer Exhibition to the Awagami Print Exhibition in Japan. His work is held in collections at the V&A, Fabriano Museum and the Wellcome Collection.
Euan’s studies in anatomy and natural history explore identity by playing with medium, scale and sequence to produce results that are both traditional or experimental in execution.
The abstracted figure is a symbol of identity both unique to the individual and common to all, constantly moving between separation and communion. Inspired by the weaving process, the industrial rhythm of line and negative space create a sense of movement between these states and allow the viewer to project their own sense of self.
The shark is representative of an evolutionary ideal, patiently developing over aeons. It questions our supposed dominance over the natural world, which may provoke nature to reassert itself, to awaken at any time to pass judgement on the Anthropocene.
The dialogue between these two sides of his work examines the conditions of what it means to be part of humanity in the early years of the 21st century.
