Billie Mertens
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Billie Mertens' prints express the vanity of things, the finitude of the human condition in the face of the indeterminate power of nature.
Going beyond the simple appearances of observational drawing, in an intermediary place between derision and metaphysical melancholy, a game of poetic, graphic and technical opposition is established.
the gesture of representation serves to hold back life in extremis, a last-ditch attempt to slow climate change while at the same time revealing the heroic aspect of nature.
Going beyond the simple appearances of observational drawing, in an intermediary place between derision and metaphysical melancholy, a game of poetic, graphic and technical opposition is established.
the gesture of representation serves to hold back life in extremis, a last-ditch attempt to slow climate change while at the same time revealing the heroic aspect of nature.
Billie Mertens' prints express the vanity of things, the finitude of the human condition in the face of the indeterminate power of nature.
Going beyond the simple appearances of observational drawing, in an intermediary place between derision and metaphysical melancholy, a game of poetic, graphic and technical opposition is established.
the gesture of representation serves to hold back life in extremis, a last-ditch attempt to slow climate change while at the same time revealing the heroic aspect of nature.
Going beyond the simple appearances of observational drawing, in an intermediary place between derision and metaphysical melancholy, a game of poetic, graphic and technical opposition is established.
the gesture of representation serves to hold back life in extremis, a last-ditch attempt to slow climate change while at the same time revealing the heroic aspect of nature.
Billie Mertens' prints express the vanity of things, the finitude of the human condition in the face of the indeterminate power of nature.
Going beyond the simple appearances of observational drawing, in an intermediary place between derision and metaphysical melancholy, a game of poetic, graphic and technical opposition is established.
the gesture of representation serves to hold back life in extremis, a last-ditch attempt to slow climate change while at the same time revealing the heroic aspect of nature.
Going beyond the simple appearances of observational drawing, in an intermediary place between derision and metaphysical melancholy, a game of poetic, graphic and technical opposition is established.
the gesture of representation serves to hold back life in extremis, a last-ditch attempt to slow climate change while at the same time revealing the heroic aspect of nature.
