Anneline Schjødt Pedersen

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Anneline Schjødt Pedersen (Denmark, b. 1970) is as a printmaker / visual artist self-taught and has since approx. 1990 worked with traditional intaglio gravure printing techniques in copper and zinc. She works intuitively without sketches and lets the works develop spontaneously in the process. The works are at once poetic and expressive and contain a great sensitivity. The motif world is abstract, sometimes with figurative elements. It is carried by small, condensed and intimate narratives. A large and wide world, often in a small format.

The works can be experienced as a form of mind images. They do not make a lot of noise but are inward-looking with an inherent drama. The level of detail in the line leads means that as a viewer you literally have to approach them for immersion.

Anneline Schjødt Pedersen is inspired by and works with elements of upheaval, the organic, nature's markings, tactility and sensuous traces of growth and depravity, landscape abstractions, cells and microcosm, imbalances/imperfections, human relations and the human mind.

Anneline Schjødt Pedersen is a member of BKF - Billedkunstnernes Forbund - Visual Danish Artists, IAA - International Association of Art, Danish Printmakers Association, Danish Crafts & Design Association etc. and has exhibited at Martin Asbæk Gallery, Copenhagen, DK, Johannes Larsen Museum, DK, Kirsten Kjærs Museum, DK, Brandts 13, Odense, DK, Kastrupgårdsamlingen, DK, Silkeborg Bad, DK, Kunstpakhuset, Ikast, DK, Mark Rothko Art Centre, Daugavpils, Latvia, numerous juried exhibitions.
She is represented in the collection of Mark Rothko Art Centre/Rothko Museum, Daugavpils.

Anneline Schjødt Pedersen has been censor at the Artists' Summer Exhibition, Tistrup, DK (2019-2020) and Kunstforeningen Limfjordens juried Autumn Exhibition, Gimsinghoved, Struer, DK (2021-2022). She is a member of the admission committee of Danish Crafts & Design Association and until recently on the board of KKS - Female Artists' Society, DK.
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Anneline Schjødt Pedersen (Denmark, b. 1970) is as a printmaker / visual artist self-taught and has since approx. 1990 worked with traditional intaglio gravure printing techniques in copper and zinc. She works intuitively without sketches and lets the works develop spontaneously in the process. The works are at once poetic and expressive and contain a great sensitivity. The motif world is abstract, sometimes with figurative elements. It is carried by small, condensed and intimate narratives. A large and wide world, often in a small format.

The works can be experienced as a form of mind images. They do not make a lot of noise but are inward-looking with an inherent drama. The level of detail in the line leads means that as a viewer you literally have to approach them for immersion.

Anneline Schjødt Pedersen is inspired by and works with elements of upheaval, the organic, nature's markings, tactility and sensuous traces of growth and depravity, landscape abstractions, cells and microcosm, imbalances/imperfections, human relations and the human mind.

Anneline Schjødt Pedersen is a member of BKF - Billedkunstnernes Forbund - Visual Danish Artists, IAA - International Association of Art, Danish Printmakers Association, Danish Crafts & Design Association etc. and has exhibited at Martin Asbæk Gallery, Copenhagen, DK, Johannes Larsen Museum, DK, Kirsten Kjærs Museum, DK, Brandts 13, Odense, DK, Kastrupgårdsamlingen, DK, Silkeborg Bad, DK, Kunstpakhuset, Ikast, DK, Mark Rothko Art Centre, Daugavpils, Latvia, numerous juried exhibitions.
She is represented in the collection of Mark Rothko Art Centre/Rothko Museum, Daugavpils.

Anneline Schjødt Pedersen has been censor at the Artists' Summer Exhibition, Tistrup, DK (2019-2020) and Kunstforeningen Limfjordens juried Autumn Exhibition, Gimsinghoved, Struer, DK (2021-2022). She is a member of the admission committee of Danish Crafts & Design Association and until recently on the board of KKS - Female Artists' Society, DK.
Anneline Schjødt Pedersen (Denmark, b. 1970) is as a printmaker / visual artist self-taught and has since approx. 1990 worked with traditional intaglio gravure printing techniques in copper and zinc. She works intuitively without sketches and lets the works develop spontaneously in the process. The works are at once poetic and expressive and contain a great sensitivity. The motif world is abstract, sometimes with figurative elements. It is carried by small, condensed and intimate narratives. A large and wide world, often in a small format.

The works can be experienced as a form of mind images. They do not make a lot of noise but are inward-looking with an inherent drama. The level of detail in the line leads means that as a viewer you literally have to approach them for immersion.

Anneline Schjødt Pedersen is inspired by and works with elements of upheaval, the organic, nature's markings, tactility and sensuous traces of growth and depravity, landscape abstractions, cells and microcosm, imbalances/imperfections, human relations and the human mind.

Anneline Schjødt Pedersen is a member of BKF - Billedkunstnernes Forbund - Visual Danish Artists, IAA - International Association of Art, Danish Printmakers Association, Danish Crafts & Design Association etc. and has exhibited at Martin Asbæk Gallery, Copenhagen, DK, Johannes Larsen Museum, DK, Kirsten Kjærs Museum, DK, Brandts 13, Odense, DK, Kastrupgårdsamlingen, DK, Silkeborg Bad, DK, Kunstpakhuset, Ikast, DK, Mark Rothko Art Centre, Daugavpils, Latvia, numerous juried exhibitions.
She is represented in the collection of Mark Rothko Art Centre/Rothko Museum, Daugavpils.

Anneline Schjødt Pedersen has been censor at the Artists' Summer Exhibition, Tistrup, DK (2019-2020) and Kunstforeningen Limfjordens juried Autumn Exhibition, Gimsinghoved, Struer, DK (2021-2022). She is a member of the admission committee of Danish Crafts & Design Association and until recently on the board of KKS - Female Artists' Society, DK.
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